After leaving university I worked in London; my longest job was with Amnesty International, the organisation that campaigns against human rights abuses all over the world. But in 1990, my then boyfriend and I decided to move up to Manchester together. It was after a weekend's flat-hunting, when I was travelling back to London on my own on a crowded train, that the idea for Harry Potter simply fell into my head. I had been writing almost continuously since the age of six but I had never been so excited about an idea before. To my immense frustration, I didn't have a functioning pen with me, and I was too shy to ask anybody if I could borrow one. I think, now, that this was probably a good thing, because I simply sat and thought, for four (delayed train) hours, and all the details bubbled up in my brain, and this scrawny, black-haired, bespectacled boy who didn't know he was a wizard became more and more real to me. I think that perhaps if I had had to slow down the ideas so that I could capture them on paper I might have stifled some of them (although sometimes I do wonder, idly, how much of what I imagined on that journey I had forgotten by the time I actually got my hands on a pen).
I began to write 'Philosopher's Stone' that very evening, although those first few pages bear no resemblance at all to anything in the finished book. I moved up to Manchester, taking the swelling manuscript with me, which was now growing in all sorts of strange directions, and including ideas for the rest of Harry's career at Hogwarts, not just his first year. Then, on December 30th 1990, something happened that changed both my world and Harry's forever: my mother died.It was a terrible time. My father, Di and I were devastated; she was only forty five years old and we had never imagined - probably because we could not bear to contemplate the idea - that she could die so young. I remember feeling as though there was a paving slab pressing down upon my chest, a literal pain in my heart.Nine months later, desperate to get away for a while, I left for Portugal, where I had got a job teaching English in a language institute. I took with me the still-growing manuscript of Harry Potter, hopeful that my new working hours (I taught in the afternoon and evening) would lend themselves to pressing on with my novel, which had changed a lot since my mother had died. Now, Harry's feelings about his dead parents had become much deeper, much more real. In my first weeks in Portugal I wrote my favourite chapter in Philosopher's Stone, The Mirror of Erised.I had hoped that when I returned from Portugal I would have a finished book under my arm. In fact, I had something even better: my daughter. I had met and married a Portuguese man, and although the marriage did not work out, it had given me the best thing in my life. Jessica and I arrived in Edinburgh, where my sister Di was living, just in time for Christmas 1994.
I intended to start teaching again and knew that unless I finished the book very soon, I might never finish it; I knew that full-time teaching, with all the marking and lesson planning, let alone with a small daughter to care for single-handedly, would leave me with absolutely no spare time at all. And so I set to work in a kind of frenzy, determined to finish the book and at least try and get it published. Whenever Jessica fell asleep in her pushchair I would dash to the nearest cafe and write like mad. I wrote nearly every evening. Then I had to type the whole thing out myself. Sometimes I actually hated the book, even while I loved it.Finally it was done. I covered the first three chapters in a nice plastic folder and set them off to an agent, who returned them so fast they must have been sent back the same day they arrived. But the second agent I tried wrote back and asked to see the rest of the manuscript. It was far and away the best letter I had ever received in my life, and it was only two sentences long.It took a year for my new agent, Christopher, to find a publisher. Lots of them turned it down. Then, finally, in August 1996, Christopher telephoned me and told me that Bloomsbury had 'made an offer.' I could not quite believe my ears. 'You mean it's going to be published?' I asked, rather stupidly. 'It's definitely going to be published?' After I had hung up, I screamed and jumped into the air; Jessica, who was sitting in her high-chair enjoying tea, looked thoroughly scared.And you probably know what happened next.
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There are a few changes at Hogwarts as Harry begins his third year. Hermione is taking a double courseload, including some that are taught simultaneously. Two new teachers join the staff: Professor Remus J. Lupin for Defence Against the Dark Arts and, to Harry, Ron and Hermione's delight, Rubeus Hagrid for Care of Magical Creatures. Lupin's lessons are enjoyable but Hagrid's soon become dreary. During the first class, Draco Malfoy is attacked by the hippogriff Buckbeak. Draco's father, Lucius Malfoy, files a complaint against Hagrid who then resorts to teaching them about the extremely boring animals 'Flobberworms'.
